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Hillary Clinton on the importance of ARTS in promoting human rights

Thursday, December 17th, 2009

hilOn Monday, December 14, Secretary of State Hillary Clinton highlighted the importance of the arts and artists in her remarks at Georgetown University on the Human Rights Agenda for the 21st Century. During a question and answer session, Secretary of State Clinton was asked about the importance of the arts and artists in helping to promote human rights. In her reply, Clinton stated:

“I remember some years ago seeing a play about women in Bosnia during the conflict there. It was so gripping. I still see the faces of those women who were pulled from their homes, separated from their husbands, often raped and left just as garbage on the side of the road. So I think that artists both individually and through their works can illustrate better than any speech I can give or any government policy we can promulgate that the spirit that lives within each of us, the right to think and dream and expand our boundaries, is not confined, no matter how hard they try, by any regime anywhere in the world. There is no way that you can deprive people from feeling those stirrings inside their soul. And artists can give voice to that. They can give shape and movement to it. And it is so important in places where people feel forgotten and marginalized and depressed and hopeless to have that glimmer that there is a better future, that there is a better way that they just have to hold onto.”

Reactions from D.C.

Thursday, December 17th, 2009

I recently had the privilege of watching our first artistic piece from IVAP “go public”. Paul Emerson and CityDance premiered their new piece, “Wishes of the Sailor” at the Capitol Visitors’ Center.

The piece was amazing- moving and powerful, which was no surprise coming from the talented Paul and fellow sojourner Kathryn Pilkington. What did surprise me was what relief I felt to not be alone on this issue—to be in the company of those who also wanted movement on this issue.

Coming back home after this amazing trip to the Middle East and trying to share with people the importance and complexities of this issue has been challenging to say the least. Mostly, because no one seems to know anything about it! (It is INDEED one of the most underreported crises of this century.) I certainly didn’t before this trip! So I have felt a great weight to inform people and tell the stories of the Iraqis I met. So, you can imagine the relief to hear senators and congressmen and generally people of high status speaking to this issue, all caused and inspired by the artistic piece performed.

I felt it was a real tribute to not only the work of CityDance, but also Intersections and what they have created here with IVAP. It is ALREADY making a difference! ART is helping to make a difference, to give voice to those who have none. We are creating conversations and opening doors for change around this issue.

Keep talking about the Iraqi refugee crisis. Keep the conversation alive. The Iraqis are counting on us.

AE_IraqRef_SyrBos_0187

Join Intersections in Washington DC for the first Iraqi Voices Amplification Project production!

Thursday, December 3rd, 2009

Still WaitingThe U.S. Helsinki Commission and CityDance Ensemble present:
Still Waiting, Still Suffering: A dance performance and discussion about Iraqi refugees

Tuesday, Dec. 8th, 4-5:30 PM (doors open at 3PM)
U.S. Capitol Visitor Center – Main Auditorium
FREE and open to the Public.

The IVAP team included members of the CityDance Ensemble, and will be presenting an original work this week, based on its experiences with refugees in Jordan, Lebanon and Syria. The event is presented by the U.S. Helsinki Commission, CityDance, and Intersections. After the performance, the artists will join the U.S. Helsinki Commission and the Office of the United Nations High Commissioner for Refugees (UNHCR) for a Q/A session.

Speakers include:

Senator Benjamin L. Cardin (D-MD), Chairman
Representative Alcee L. Hastings (D-FL), Co-Chairman
Dr. Michel Gabaudan, UNHCR Representative for the United States and the Caribbean
Paul Gordon Emerson, CityDance Ensemble Artistic Director & Co-Founder, and members of the Company

And On Saturday:
Join IVAP team members Paul Gordon Emerson and Kathryn Pilkington in the performance Wishes of the Sailor, a collaborative work based on their experiences working with the Iraqi refugee community in the Middle East as part of Intersections IVAP team.

Saturday, Dec. 5th, 5 PM
Room 405, Music Center at Strathmore
5301 Tuckerman Lane, North Bethesda, MD

To order tickets for the Saturday show, visit www.strathmore.org

prostitution

Wednesday, December 2nd, 2009

…another outcome of our war in Iraq and another tragedy for the Iraqi refugee women…

http://www.jpost.com/servlet/Satellite?pagename=JPost/JPArticle/ShowFull&cid=1259243063998

One resettled Iraqi

Wednesday, December 2nd, 2009

If you have been reading this blog, you know we recently interviewed hundreds of Iraqi refugees and listened to their stories. Most left Iraq because they watched family members get kidnapped and killed and ultimately their own lives were threatened. I learned that among their many woes, most Iraqis are stuck between a rock and a hard place—they cannot return to iraq (for safety) and cannot move forward by getting resettled (not enough countries willing to help). So they are stuck in their host countries unable to work, school, provide for their family or live, really.

There a  few “lucky” ones who have received resettlement in the U.S. I say “lucky” because Iraqis face MANY challenges when they arrive in US—no family or friends, new language, difficult cultural assimilation and of course financial challenges. Unless they unexpectedly (in this economy) find a job—they are at the mercy of the government support which is miniscule and brief (3 months!), to land on their feet. These are mostly formerly middle-class, professional people now living in poverty.

I was recently introduced to one such Iraqi living in Houston, Texas of all places. Her name is Abeer and she is in great need. Her family all still in Baghdad, she is alone, depressed and out of money, her gov’t subsidy having run out. She has been looking for work unsuccessfully for 3 months.
 
She will have to return to Baghdad if she cannot make it in the U.S. where she will face almost certain death for working with the Americans.  She is a professional woman, 40 years old, a Pyscho-therapist/PHD from Baghdad and a smart and kind woman.

Yet another aspect of this crisis, that we, the U.S created by going into Iraq.

Refugees often think their problems will be over once they get resettlement…but often, their problems multiply. The only thing different is the scenery.

Keeping the Cost of War in Front of Our Eyes

Thursday, November 19th, 2009

It’s been almost a month since I boarded a plane in Damascus and headed for home after spending three weeks in the Middle East talking to Iraqi refugees. Back in New York, life caries on very much as it did before I left. The city movesat a lightening pace. Storefront windows get ready for the holidays. My friends call and ask me to the movies. It’s so easy to forget there is a war going on.

IVAP image 2HadaYet I find I can’t get Hada* face out of my mind. A former English teacher in Baghdad and now single mother of four children, Hada’s been living in Damascus for three years. Her husband was injured in a car bombing back in Iraq that left half his face paralyzed, causing the family to flee to Syria to seek medical treatment and a safe place for him to recover.

About a year later, they got word that his mother was very ill and so her husband decided to go back to Iraq to see if he could help his mother or bring her with him back to Syria. It’s been over a year, and Hada’s had no news of her husband. All she knows is he disappeared somewhere on the road, on his way to Baghdad. She’s called relatives, police stations, hospitals…no one has any news.

What makes this story even more tragic was that six months after her husband went missing, her case came up for resettlement to Sweden with UNHCR. However, Hada wasn’t ready to give up hope that maybe her husband had only been arrested and might turn up, and worried that he would never find them if they moved to Sweden, she declined.

And now she waits for their case to come up again, this time acknowledging that if the offer comes to resettle, she’ll have to take it. She’s quietly terrified about how she’ll raise her children without a father and how she will manage everything alone, in a strange country.

She said, “I used to pretend to call their father on the phone and then say, ‘I’m on the phone right now with your father, and he says you better be good and listen to your mother!’” In the end, she knew she had to tell them. And now she knows that she must accept that her husband is gone forever, pick up the pieces of her life and move forward the best she can, one day at a time.

And then there is Billy Spencer, a 19 year old Marine from Ohio who was recently killed in Iraq. In a segment on The Today Show this morning, Billy’s parents talked about how incredibly proud they were of their son and how surprised they were to find out he had been making video journals of most of his time over there.

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Through Billy’s videos, they were able to share their son’s final months and see first-hand what life on the front lines in Iraq is really like. They watched Billy talk to them from inside a tank, behind bullet proof glass. They also watched their son play with Iraqi children and remembered how Billy was always the first to reach out with a helping hand. Billy’s father said the videos allowed him to watch his boy turn into a man in front of his eyes. And in the end, the Spencer’s know that they must accept that their son is gone forever, pick up the pieces of their life and move forward the best they can, one day at a time.

These are the costs of war. I’m humbled by the bravery of people like Billy and Hada, who share their stories. I’m thankful for the many organizations that work hard to keep the war in America’s consciousness, to help our soldiers when they come home and to help Iraqis rebuild their lives. I know we have a lot more work to do.

*name has been changed.

still back, still there

Friday, November 13th, 2009

Middle East 3 015

 

So, it’s been almost a month since my return to the states, and I still feel half in the Middle East. The voices still follow me and the responsibility I have to share their voices still calls. I want to do right by the Iraqis. I owe them that. So I write. And write and write and will hopefully have a show that will transport you all to a world where you can experience and hear the stories like we did.

The one thing that resonates most with me these days is that as I ease back into my life and my routine, most of the Iraqis we met are in the exact same spot, same chair, same empty fridge, same waiting, same fear, same hopelessness, same homelessness that they were in when we visited them. Nothing changes for them. I go back to Starbucks and get my mani/pedis and think about Christmas shopping. And there they still sit. Waiting.

I’m afraid I’ll forget. I am trying not to.

The Cycle Continues

Monday, November 2nd, 2009
Iraqis outside a UNHCR registration center in Syria. They come to recieve news on of any progress on their requests for resettlement.

Iraqis outside a UNHCR registration center in Syria. They come to receive news on of any progress on their requests for resettlement. New arrivals come every week.

On Oct. 25, 2009, twin suicide bombs exploded in Baghdad, killing 155 people and wounding more than 500, making it the deadliest attack in two years. This tragedy, occurring just a week after the Iraqi Voices Amplification Project team returned home, is a painful reminder of why Iraqi refugees are not yet returning home in any significant numbers and why, in fact, more are fleeing their country ever day.

I couldn’t help but wonder how many people decided that the Oct. 25 bombing was the last straw, the trigger for them to leave everything they know and start the journey to safety in another country. The question isn’t really if the event triggered anyone to leave the country but, really, how many left? Where did they go? Were they injured as they made the journey? What sort of reception did they find when they arrived in their new place?

With elections scheduled for January 2010, many fear an increase in violence in the months ahead. For those lucky enough to survive these violent atrocities, seeking refuge in Syria, Jordan, Lebanon or a number of other surrounding countries is not without its own perils. While these countries have done their best to host the overwhelming number of Iraqis flooding their borders, there are limitations to what they can and will do.

All of these challenges, and more, were apparent to us on our 17-day trip to speak with Iraqis, and continue to haunt me as a settle back into my life here. I see the faces of those we met, even when I close my eyes. There stories play over and over in my ear. I think about the freedom I have –– to be able to return to my life –– while the Iraqis continue with their lives on hold.

All in all, we had an incredible journey, and are now faced with the even more important task of taking what we witnessed and turning it into compelling artistic pieces that will captivate America and amplify the voices of Iraqi refugees. Stay tuned.

Reflections upon return

Monday, November 2nd, 2009
An Iraqi refugee child.

An Iraqi refugee child.

So … one week post-Middle-East-Iraqi-refugee experience. I feel lost … a bit like a refugee myself. A bit.

Trying to wrap my brain around the experience is not easy. New York looks different. My friends seem new. All I have seems shocking. And after only three short weeks! I’m trying to spend each day growing back into my skin without losing the skin I have acquired from the Iraqis we met. I don’t want to lose what I experienced in their skin. This urban refugee crisis screams for attention, although the refugees are not screaming. They are quietly waiting … for something to change … six years later…

The refugees, social workers and children swirl around my head. I keep thinking about Peter and his four beautiful children, and his brother who was shot and killed in the passenger seat right next to him. And I think about the once-famous boxer and artist who came from a family of artists, now scattered all over the world. I think about his need to tell his story on his terms, the way he wants it heard –– the threatening letters, the dismembered bodies, his inability to create anything artistic anymore, the disclosure that he feels like a bat, only coming out at night. I think about the woman whose husband abandoned her and her daughter in Damascus and who wouldn’t let us take her picture, not because of fear of persecution, but because she no longer feels beautiful. I think about the poet we met, who also was a victim of intense torture, and who chose to share a love poem with us. A love poem.

I think about the artists displaced in Damascus because art is dead in Baghdad. And I think about the hopeful Iraqi teens and young adults who are brave enough to believe in a future with education, a future of college in America. And I think about the children, always the children –– who look up at me with empty, confused eyes that have seen what children should never see.

This is what I think about now that I am back. These people who did nothing wrong but survive and flee — becoming refugees of our choice, OUR country. This is the face of our war in Iraq. This is the fallout. I feel the weight of responsibility to tell their stories as a call to action. After all, this is our mess to clean up.

Conversations on Diplomacy and Power Politics features IVAP

Sunday, October 25th, 2009

C. Eduardo Vargas was featured on Conversations on Diplomacy and Power Politics. This resource seeks to provide timely analysis on important global issues and deliver rich media products to an international audience. Vargas discussed the IVAP project. To read about the interview and listen to the podcast, click here.