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Posts Tagged ‘Iraqi Refugees’

Kim Schultz and CityDance perform at Intersections’ Awards Gala

Wednesday, June 30th, 2010

CityDance and Kim Schultz perform together at the gala.

On June 10th, Intersections hosted its first annual Intersector Awards Gala. The event was held at the Altman building in midtown Manhattan. A major theme for the night was celebrating the artistic works to come out of the Iraqi Voices Amplification Project. A gallery featured photographs of Iraqi Refugees by Alissa Everett and Paul Emerson. Each photo told the story of a different aspect of the refugee experience, from the effects of religious targeting to the dangers of working illegally in a host country. Michael Jordan premiered several of the ad campaigns he has been working on, including a print ad that compared the Iraqi refugee crisis to the crisis in Darfur.

Photos of refugees shot by Alissa Everett and Paul Emerson are displaced at the Intersections Gala

But the spot light was stolen by a first ever joint performance of excerpts from Kim Schultz’s new play, No Place Called Home, directed by Sarah Cameron Sunde and CityDance Ensembles, Wishes of the Sailor. The ten minute piece featured segments of No Place Called Home, which tracks one American woman’s experience with Iraqi refugees as she accidentally falls in love with one of them. Wishes of the Sailor grew out of the experiences of CityDance’s Kathryn Pilkington and Paul Emerson. Using the stories they heard during the IVAP trip, they set the dance, whose title comes from an Iraqi proverb “Sometimes the wind blows against the wishes of the sailor,” in a refugee resettlement waiting room, where there is too little to do, too much time to wait and an endless sense of how life has been upended for all of them.

A scene taking place in a UNHCR waiting room.

Through dance, the retelling of refugee stories and Kim’s experience as an American through whom these stories are told the audience went on a brief emotional journey exploring the realities of Iraqi refugees. Many in the audience found themselves in tears after the performance. “Wow! Not only was I in NYC at Intersection’s gala, but a part of me was also in Syria, Lebanon and Jordan in the lives of these refugees,”  said gala attendee Scott Thompson. ” Thank you Kim for the gift of letting us know their stories more.”

No Place Called Home opens in New York City for a nomadic run in October.  Check back for more details soon!

IVAP Artists Paul Emerson Talks About the Power of the Arts to Bring Change in the NY Times!

Monday, May 24th, 2010

IVAP Artists Paul Emerson talks about the power of the arts to transform in the NY Times

Wishes of the Sailor

Friday, January 8th, 2010

On December 8, the Commission on Security and Cooperation in Europe (U.S. Helsinki Commission) hosted a special dance performance and discussion on the situation of Iraqi refugees. Intersections’ C. Eduardo Vargas was an invited panel discussant on Iraqi refugee issues, following a dance performance entitled Wishes of the Sailor by the Washington, DC-based contemporary dance company CityDance Ensemble.

CityDance Ensemble, and their Artistic Director and Co-Founder, Paul Gordon Emerson, presented an original work based on their experiences with the Iraqi refugee communities in Lebanon, Jordan, and Syria as part of the delegation of artists gathered by Intersections International’s Iraqi Voices Amplification Project (IVAP).

After the dance performance, Paul Emerson and Kathryn Pilkington—who also traveled with IVAP—joined C. Eduardo Vargas, Dr. Michel Gabaudan, Regional Representative of the United Nations High Commissioner for Refugees, and Christopher Morgan, City Dance’s Choreographer in a lively panel discussion concerning the motivation for the dance piece and the plight of Iraqi refugees.

Hosting the event were U.S. Senator Benjamin L. Cardin, Chairman of the U.S. Helsinki Commission and Co-Chairman Congressman Alcee L. Hastings.  This event that marked a new chapter in Intersections’ IVAP continued advocacy for Iraqi refugees, was held at the Capitol Visitor Center in Washington, DC.

Earlier that week, CityDance premiered Wishes of the Sailor in three sold-out performances at the Strathmore Center. Read an article about the dance in the Washington Post.

CityDance Ensemble dancers perform Whishes of the Sailor Dec.8,2009 at the U.S. Capitol4172065574_aff7a3af914171308895_40dbfacb7c

Hillary Clinton on the importance of ARTS in promoting human rights

Thursday, December 17th, 2009

hilOn Monday, December 14, Secretary of State Hillary Clinton highlighted the importance of the arts and artists in her remarks at Georgetown University on the Human Rights Agenda for the 21st Century. During a question and answer session, Secretary of State Clinton was asked about the importance of the arts and artists in helping to promote human rights. In her reply, Clinton stated:

“I remember some years ago seeing a play about women in Bosnia during the conflict there. It was so gripping. I still see the faces of those women who were pulled from their homes, separated from their husbands, often raped and left just as garbage on the side of the road. So I think that artists both individually and through their works can illustrate better than any speech I can give or any government policy we can promulgate that the spirit that lives within each of us, the right to think and dream and expand our boundaries, is not confined, no matter how hard they try, by any regime anywhere in the world. There is no way that you can deprive people from feeling those stirrings inside their soul. And artists can give voice to that. They can give shape and movement to it. And it is so important in places where people feel forgotten and marginalized and depressed and hopeless to have that glimmer that there is a better future, that there is a better way that they just have to hold onto.”

Reactions from D.C.

Thursday, December 17th, 2009

I recently had the privilege of watching our first artistic piece from IVAP “go public”. Paul Emerson and CityDance premiered their new piece, “Wishes of the Sailor” at the Capitol Visitors’ Center.

The piece was amazing- moving and powerful, which was no surprise coming from the talented Paul and fellow sojourner Kathryn Pilkington. What did surprise me was what relief I felt to not be alone on this issue—to be in the company of those who also wanted movement on this issue.

Coming back home after this amazing trip to the Middle East and trying to share with people the importance and complexities of this issue has been challenging to say the least. Mostly, because no one seems to know anything about it! (It is INDEED one of the most underreported crises of this century.) I certainly didn’t before this trip! So I have felt a great weight to inform people and tell the stories of the Iraqis I met. So, you can imagine the relief to hear senators and congressmen and generally people of high status speaking to this issue, all caused and inspired by the artistic piece performed.

I felt it was a real tribute to not only the work of CityDance, but also Intersections and what they have created here with IVAP. It is ALREADY making a difference! ART is helping to make a difference, to give voice to those who have none. We are creating conversations and opening doors for change around this issue.

Keep talking about the Iraqi refugee crisis. Keep the conversation alive. The Iraqis are counting on us.

AE_IraqRef_SyrBos_0187

prostitution

Wednesday, December 2nd, 2009

…another outcome of our war in Iraq and another tragedy for the Iraqi refugee women…

http://www.jpost.com/servlet/Satellite?pagename=JPost/JPArticle/ShowFull&cid=1259243063998

One resettled Iraqi

Wednesday, December 2nd, 2009

If you have been reading this blog, you know we recently interviewed hundreds of Iraqi refugees and listened to their stories. Most left Iraq because they watched family members get kidnapped and killed and ultimately their own lives were threatened. I learned that among their many woes, most Iraqis are stuck between a rock and a hard place—they cannot return to iraq (for safety) and cannot move forward by getting resettled (not enough countries willing to help). So they are stuck in their host countries unable to work, school, provide for their family or live, really.

There a  few “lucky” ones who have received resettlement in the U.S. I say “lucky” because Iraqis face MANY challenges when they arrive in US—no family or friends, new language, difficult cultural assimilation and of course financial challenges. Unless they unexpectedly (in this economy) find a job—they are at the mercy of the government support which is miniscule and brief (3 months!), to land on their feet. These are mostly formerly middle-class, professional people now living in poverty.

I was recently introduced to one such Iraqi living in Houston, Texas of all places. Her name is Abeer and she is in great need. Her family all still in Baghdad, she is alone, depressed and out of money, her gov’t subsidy having run out. She has been looking for work unsuccessfully for 3 months.
 
She will have to return to Baghdad if she cannot make it in the U.S. where she will face almost certain death for working with the Americans.  She is a professional woman, 40 years old, a Pyscho-therapist/PHD from Baghdad and a smart and kind woman.

Yet another aspect of this crisis, that we, the U.S created by going into Iraq.

Refugees often think their problems will be over once they get resettlement…but often, their problems multiply. The only thing different is the scenery.

Are Iraqis Undead? Why the Refugees in Damascus Are More Like Edward Cullen Than You Think

Monday, November 23rd, 2009

IVAP team member Kathryn Schulz posts again for the Huffington Post. Check out her article: http://www.huffingtonpost.com/kathryn-schulz/are-iraqis-undead-why-the_b_364880.html
IVAP article

still back, still there

Friday, November 13th, 2009

Middle East 3 015

 

So, it’s been almost a month since my return to the states, and I still feel half in the Middle East. The voices still follow me and the responsibility I have to share their voices still calls. I want to do right by the Iraqis. I owe them that. So I write. And write and write and will hopefully have a show that will transport you all to a world where you can experience and hear the stories like we did.

The one thing that resonates most with me these days is that as I ease back into my life and my routine, most of the Iraqis we met are in the exact same spot, same chair, same empty fridge, same waiting, same fear, same hopelessness, same homelessness that they were in when we visited them. Nothing changes for them. I go back to Starbucks and get my mani/pedis and think about Christmas shopping. And there they still sit. Waiting.

I’m afraid I’ll forget. I am trying not to.

The Cycle Continues

Monday, November 2nd, 2009
Iraqis outside a UNHCR registration center in Syria. They come to recieve news on of any progress on their requests for resettlement.

Iraqis outside a UNHCR registration center in Syria. They come to receive news on of any progress on their requests for resettlement. New arrivals come every week.

On Oct. 25, 2009, twin suicide bombs exploded in Baghdad, killing 155 people and wounding more than 500, making it the deadliest attack in two years. This tragedy, occurring just a week after the Iraqi Voices Amplification Project team returned home, is a painful reminder of why Iraqi refugees are not yet returning home in any significant numbers and why, in fact, more are fleeing their country ever day.

I couldn’t help but wonder how many people decided that the Oct. 25 bombing was the last straw, the trigger for them to leave everything they know and start the journey to safety in another country. The question isn’t really if the event triggered anyone to leave the country but, really, how many left? Where did they go? Were they injured as they made the journey? What sort of reception did they find when they arrived in their new place?

With elections scheduled for January 2010, many fear an increase in violence in the months ahead. For those lucky enough to survive these violent atrocities, seeking refuge in Syria, Jordan, Lebanon or a number of other surrounding countries is not without its own perils. While these countries have done their best to host the overwhelming number of Iraqis flooding their borders, there are limitations to what they can and will do.

All of these challenges, and more, were apparent to us on our 17-day trip to speak with Iraqis, and continue to haunt me as a settle back into my life here. I see the faces of those we met, even when I close my eyes. There stories play over and over in my ear. I think about the freedom I have –– to be able to return to my life –– while the Iraqis continue with their lives on hold.

All in all, we had an incredible journey, and are now faced with the even more important task of taking what we witnessed and turning it into compelling artistic pieces that will captivate America and amplify the voices of Iraqi refugees. Stay tuned.